All movie picks, reviews, and what to watch in Glasgow
Director Takashi Yamazaki returns to the Godzilla franchise with this sequel to Godzilla Minus One, which introduces the iconic three-headed kaiju King Ghidorah. The film explores themes of natural disaster and postwar recovery, with a U.S. theatrical release scheduled for November 3, 2026.
Mariano Llínas’s five-hour documentary becomes a playful, investigative literary mystery by reading through the lines of Jorge Luis Borges’s work. It draws on his archives to create a labyrinthine journey into his writing.
A historic, uncut 4K restoration of Ken Russell's 1971 controversial masterpiece, finally presented as the director intended. This visceral, NC-17 rated psychological drama explores religious hysteria and political corruption.
A visually stunning stop-motion fantasy from LAIKA, following a young girl's journey into an enchanted forest to rescue her brother. It has received unanimous critical acclaim for its craftsmanship and emotional depth.
Nathan Fielder and Lance Oppenheim’s documentary-style film ends on a deliberately slippery, open-ended question about intent and truth, especially around Elizabeth Holmes’ fate. The review highlights the finale’s surreal discomfort—filtered through Amanda Seyfried’s Holmes performance—and the idea that the movie may have compromised its own objectivity while remaining entertaining.
Directed by Werner Herzog, this film stars Kate and Rooney Mara as sisters who become obsessed with their neighbor, played by Orlando Bloom. The film is noted for its surreal, dreamlike quality and the unique synchronized performances of the lead actresses.
Aaron Sorkin directs and writes this companion piece to The Social Network, focusing on the investigative reporting that exposed Facebook's internal practices. Jeremy Strong stars as Mark Zuckerberg in a film that functions as a media procedural about holding tech giants accountable.
Directed by Lance Oppenheim and starring Robert Pattinson, this film explores the persona and cultural impact of Chris Hansen, the host of 'To Catch a Predator'. It examines the blurred lines between reality television and the internet meme culture surrounding Hansen.
A new music documentary capturing the band's 2025 world reunion tour, focusing on the emotional bond between the Gallagher brothers and their global fanbase. Directed by Steven Knight, the film offers an intimate look at the band's rehearsals and stadium performances.
Director Kitao Sakurai explains how the movie aims for “maximum fidelity” to the visual lunacy of the games, refusing to fully “grit-ify” the world into something realistic. Den of Geek spotlights the plan for fully hand-drawn, ‘90s-style anime animation in the prologue and the purposeful approach to iconic moves like hadouken.
A newly restored screening of Kamal Amrohi’s Pakeezah, framed here as a haunting collaboration between a dying star and the artists around her. The drama is emotionally devastating, built around desire, entrapment, and longing.
Edward II is recontextualised through Theo Rollason’s making-of documentary Queer Edward II, which returns viewers to Derek Jarman’s intentions around shots, costumes and lighting. It’s a chance to see a key work with fresh critical context rather than as a standalone artifact.
Beth de Araújo’s second feature, Josephine, takes a child’s-eye perspective on sexual violence rooted in the director’s own traumatic past. It’s a disquieting, emotionally precise exploration that’s likely to stay with viewers long after it ends.
Directed by Michael Showalter and starring Anne Hathaway, Dakota Johnson, and Josh Hartnett, this psychological erotic thriller is based on the popular Colleen Hoover novel. It hits cinemas on 2 October 2026 following a high-profile premiere at Curzon Mayfair.
The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.
When a rogue squad of genetically engineered super soldiers break loose in the desert, a badass Army sniper must unleash hell to protect her young daughter.
A thorny, unsettling drama starring Léa Seydoux as a woman forced to confront the reality of her husband's actions. It is a slow-burn, psychological exploration of denial and betrayal.
At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?